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Copyrights and licensing
A guide to copyrights and licensing.
Disc Makers is committed to protecting your intellectual property – your music, film, software, presentations, and any other copyrighted material. That's why we participate in the International Recording Media Association's (IRMA) Anti-Piracy Compliance Program, which protects copyright owners from unauthorized reproduction of their property. We actively help protect your property rights of the owners of any third-party material you use on your project.

While intellectual property rights procedures can sometimes be time-consuming, they are a necessary safeguard to protect the rights of everyone involved in creating material for music CDs, DVDs, and CD-ROMs. Every legitimate disc manufacturer will require you to prove ownership of all copyrighted material before your discs can be replicated.


We know that obtaining copyrights and licenses can be confusing, so we've put together these steps to help guide you through the process.
 
Protect yourself from pirates - copyright your material!
Register all original work – songs, films, scripts, artwork, software, etc. – with the United States Copyright Office. You automatically own the rights to your creation, but registering it with the Copyright Office is the best way to prove and protect your ownership.

Songwriters may also want to affiliate and license your songs with a performing rights society, like ASCAP, BMI, or SESAC to collect performance royalties for your copyrighted songs.
 
Obtain the rights to third-party material used in your project.
BUSINESS
Third-party software applications, such as Apple QuickTime, Windows Media Player, etc. may require a license. These applications are the property of the organizations that developed them. Even for freeware or shareware applications, you need a User Distribution License to include them on your project. Most software owners will require you to print their logo, trademark, or copyright symbol on your packaging, inserts, and discs. They may even mandate inclusion of warranty disclaimers and other legal information. Most third-party software, shareware, and freeware companies have downloadable licensing agreements on their websites.

Note: If you are using someone else’s software on your disc, Disc Makers must receive a copy of your User Distribution License to proceed with the replication.


Music

When your songs contain sampling. Using a portion of another artist's work on your recording is referred to as sampling. Samples can come from TV shows, movies, commercial sound bites, or music clips of any kind. A sample, regardless of the length, requires that you obtain a Master Use License to include it on your project.


When your disc or compilation includes previously released recordings. For any previously released song you wish to use, you will need permission from the owner of the master (usually a record label) in the form of a Master Use License. The owner will generally request information about the number of CDs you are making and the countries where you intend to distribute, and will often charge you a fee. If the rights to any content on your master belong to a third party, you must also submit a completed Audio Manufacturing Agreement or a contract authorizing you to reproduce the recording.

Note: If your project contains even a snippet of someone else’s recording, Disc Makers cannot begin a replication project unless you send in a copy of your Master Use License.

When you cover someone else’s song. When you record a cover version of someone else's song, you need to get a mechanical license authorizing you to reproduce their composition. You can find out who owns the copyright by contacting ASCAP, BMI, or SESAC. Then either contact the owner directly and negotiate your own rate, or contact the Harry Fox Agency and pay the prevailing statutory rate of 8¢ per song up to five minutes, $1.55 per minute per song over five minutes. Applications for less than 2,500 copies can be made online at www.songfile.com.

Note: It is your responsibility to obtain a mechanical license when covering someone else’s song on your disc and to properly credit the copyright owner on your artwork.



FILM
When copyrighted music is included in a film, the specific recording of the composition is usually owned by the artist's record company. A Film Master Use License must be obtained prior to replication.

When music is used in a film there are potentially two separate copyrights involved that need to be licensed. In addition to the Film Master Use License (which covers usage of the actual recording), there is another license called a Synchronization License (which covers the music publishing). A Synchronization License is provided by the publishing company and although it is required by law, it is not needed prior to replication.

Note: If you are using someone else’s copyrighted music in your film, Disc Makers must receive a copy of your Master Use License to proceed with the replication.
 
Submit a completed IPR form.
To avoid delays, you must submit the following to Disc Makers with your master:

• A completed Intellectual Property Rights (IPR) form.
A completed and Audio Manufacturing Agreement (only needed if the rights to content on your master belong to a third party).

Copies of the following licenses:
Master Use License (if your audio project contains samples or whole songs of previously released recordings)
Film Master Use License (if you are using someone else’s copyrighted music in your film)
User Distribution License (if you are using someone else’s software on your disc)

Reminder:
Owners of all rights to music you use should be credited on your artwork (for music CDs) or in the on-screen credits (for films on DVD).
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