As you visit the hundreds of
music podcast and MP3 blog sites you'll notice that most them feature
something called PODSAFE MUSIC. For this article I have gathered
information from various internet sites in order to help clarify what
podsafe music is and how it can become another helpful tool to place
into your marketing utility belt.
Definition of podsafe music (from Wikipedia en.wikipedia.org)
Podsafe is a term created in the podcasting community
to refer to any work which, through its licensing, specifically
allows the use of the work in podcasting, regardless of restrictions
the same work might have in other realms. For example, a song may be
legal to use in podcasts, but may need to be purchased or have
royalties paid for over-the-air radio use, television use, and
possibly even personal use.
The effective definition of "podsafe" for a given
work depends entirely on the contract through which the podcaster
licenses the work; there is no single podsafe license. The concept of
podsafety, in its true form, greatly favors the artist and the
profitability of the artist's product, in exchange for only very
limited concessions to the podcasting community.
While some works such as public domain works or works
under some Creative Commons licenses are inherently podsafe, the only
actual requirement for a work to be podsafe is that any licensing
requirements it has, if applicable, allow for the work's free use
(typical broadcast use in its original form, if in no other form,
depending on the specific license) in a podcast or web broadcast.
This gives specific favor to podcasts only, allowing the artist to
impose more traditional constraints on everyone else. Podsafe
licensing can, for example, continue to require non-podcast consumers
to pay for the work, require royalties on derivative works, and
profit significantly from the work's use in traditional radio,
television, or film.
The licensor of any podsafe work must be legally
capable of making it so. An artist cannot distribute his or her own
work through a podsafe license if doing so would break any laws or
breach any standing agreements (e.g. with the RIAA). The creator of a
derivative work may also not claim this work podsafe without express
permission from the original copyright holders. (PMN has more
specific and stringent terms to this effect in its agreement.)
Another point of contention is that not all podcasts are non-
commercial works; in fact, an increasing number of podcasts are
taking on sponsors and looking to make a profit. In general, no
significant distinction is yet made between podsafe for non-
commercial use and podsafe for commercial use, but it could easily
arise at any moment.
Motives for the podcaster to use podsafe music (from
Wikipedia en.wikipedia.org)
As podcasting grows more and more popular, illegal
use of heavily licensed music (as through the RIAA) becomes
increasingly difficult to hide. This is in general of greater concern
to podcasters than to the typical sharer of music, because podcasters
usually produce their shows for and promote them to the public-a far
more overt and traceable action.
Including such licensed music legally has its own set
of caveats. Indeed, under many jurisdictions it's currently
impossible, but the message from those in the know is that many
licensing agencies, if they do intend to allow the use of their music
on podcasts, will require not only the payment of royalties but also
the use of DRM on the shows. (DRM, because of its proprietary, system-
specific nature, would be destructive to the general openness and
system independence of podcasts.)
Use of podsafe music instead of more stringently
licensed material allows a podcaster to continue to produce an
inexpensive, legal program with little hassle. Not least important
for an independent podcaster is the promise of being able to avoid
the confusing maze of licensing organisations.
Motives for the artist to use podsafe music (from
Wikipedia en.wikipedia.org)
Conventional radio (and television) can present a
difficult, and not always logical, barrier of entry for a musician or
other media artist involving large sums of money and often a great
deal of surrender in both ownership and creative freedom.
In contrast, podcasting, an increasingly popular
medium for audio programs, is as a whole very receptive, indeed
thirsty for artists and input. This is due in part to the creative
and economic nature of the largely independent podcasting community
and further fueled by its need to avoid repetition. While a
conventional radio show may be able to risk replaying a large part of
its music selection from day to day, there would be little point in
downloading a music podcast whose selection did not vary
significantly from a previous show. Podcasting is thus a voracious
medium. With a growing and international audience podcasting is now
becoming an effective means for inexpensive artist promotion often
aimed squarely at the people most like to be interested in that type
of music.
What is The Podsafe Music Network?
The Podsafe Music Network (music.podshow.com) is a
comprehensive source for podsafe music. It was founded in 2005 by ex
MTV VJ and current podcaster Adam Curry (Daily Source Code). PMN
brings a large group of podcasters together with a wide variety of
all-podsafe music and the artists who produce it.
According to PMN, podsafe music is music that meets
all of the following conditions:
1. Works submitted to the Podsafe Music Network are
the property of the artist, and all rights to these works, including
lyrics and music, are the property of the artist.
2. All works contain no recordings, lyrics,
copyrights, or other elements that are the copyright of any other
artist, except under the limited provisions of the Creative Commons
License Agreement www.creativecommons.org
3. Despite any recording contracts with RIAA, ASCA,
BMI or other recording industry entity, the artist retains ownership
of the works and is free to distribute, broadcast, license or sell
these works at the artist's discretion.
Creative Commons Licenses help you publish your work
online while letting others know exactly what they can and can't do
with your work. When you choose a licence, we provide you with tools
and tutorials that let you add licence information to our own site or
to one of several free hosting services that have incorporated
Creative Commons.
1. Standard License License your song under your
terms. Our set of standard licenses will let you share music with
fans while protecting your song from limits you put in place. Or,
choose a prepared license for audio works.
2. Sampling License People can take and transform
pieces of your work for any purpose other than advertising, which is
prohibited. Copying and distribution of the entire work is also
prohibited.
3. Share Music License This license is aimed at the
musician that wants to spread their music on web and filesharing
networks legally for fans to download and share, while protecting the
music from commercial use or remixing of any kind.
How does a Creative Commons license operate?
Creative Commons license are based on copyright. So
it applies to all works that are protected by copyright law. The
kinds of works that are protected by copyright law are books,
websites, blogs, photographs, films, videos, songs and other audio &
visual recordings, for example. Software programs are also protected
by copyright but, as explained below, we do not recommend that you
apply a Creative Commons license to software code or documentation.
Creative Commons licenses give you the ability to
dictate how others may exercise your copyright rights-such as the
right of others to copy your work, make derivative works or
adaptations of your work, to distribute your work and/or make money
from your work. They do not give you the ability to restrict anything
that is otherwise permitted by exceptions or limitations to copyright-
including, importantly, fair use or fair dealing-nor do they give you
the ability to control anything that is not protected by copyright
law, such as facts and ideas. Creative Commons licenses attach to the
work and authorize everyone who comes in contact with the work to use
it consistent with the license. This means that if Bob has a copy of
your Creative Commons-licensed work, Bob can give a copy to Carol and
Carol will be authorized to use the work consistent with the Creative
Commons license. You then have a license agreement separately with
both Bob and Carol.
Where are the forms that I have to fill out?
Creative Commons licenses are expressed in three
different formats: the Commons Deed (human-readable code), the Legal
Code (lawyer- readable code) and the metadata (machine readable
code). You don't need to sign anything to get a CCL. Just select your
license here: www.creativecommons.org/license
Hmmm ...what if I change my mind?
This is an extremely important point for you to
consider. Creative Commons licenses are non-revocable. This means
that you cannot stop someone, who has obtained your work under a
Creative Commons license, from using the work according to that
license. You can stop offering your work under a Creative Commons
license at any time you wish; but this will not affect the rights
with any copies of your work already in circulation under a Creative
Commons license. So you need to think carefully when choosing a
Creative Commons license to make sure that you are happy for people
to be using your work consistent with the terms of the license, even
if you later stop distributing your work.
Before you do anything, make sure you have the rights!
Before applying a Creative Commons license to a work,
you need to make sure you have the authority to do so. This means
that you need to make sure that the person who owns the copyright in
the work is happy to have the work made available under a Creative
Commons license.
Where do podcasters find podsafe music? (from Dave's
Imaginary Sound Space soundblog.spaces.live.com)
Discovering new music and the ability to use it
fairly without fear of copyright infringement is a key issue for
podcasters and listeners alike. Artists, composers, producers and
consumers can all benefit from clear, fair and flexible copyright
licenses that embrace new technologies. 'Podsafe' means non-RIAA
audio and video that can be used legally in podcast productions and
freely distributed online for downloading. Podsafe music can be found
in many locations on the web including: artists websites, MP3 blogs,
open source music communities, podcast directories, netlabels, P2P
networks and BitTorrent hosts. A quick search for "podsafe" in a
podcast directory like PodcastAlley.com reveals a rich and diverse
array of productions featuring podsafe music. Unfortunately it
becomes extremely time consuming for podcasters to source available
music and listen to it. Recommendations by listeners and fans play an
important part in the podcast production process.
For an artist just entering into the podcast/MP3 blog
universe, the amount of information to take in can be overwhelming.
It's not unlike a lifelong typist being plopped in front of a
computer and asked to create a spreadsheet with colored charts.
As you watch the internet continue to explode with
new technologies, it may feel like life has passed you by and left
you lying in the dust. However, the truth is we're all still tightly
bundled together. No one is ever left behind. The opportunity to move
towards the cutting edge is available to anyone (my father-in-law has
just learned how to use a computer at the age of 81). Don't let fear
(and the excuses it can conjure up) lessen your attempts to succeed.
Remember, it has always been, and always will be
about the music - that unique expression that you have to offer to
the world. Podcasts, podsafe music, MP3 blogs, Creative Commons
licenses and all that other bounce-off-the-head stuff is simply a
collection of new and useful tools to help you get your music heard
by more people.
Final thoughts
For the newbie, my suggestion would be to take it
slow. Open one small door at a time and get a feel for it all. You'll
eventually discover that bloggers and podcasters are simply human
beings with a passion for music - a collection of music lovers that
are ready and willing to help you get your songs heard by a new
stream of potential fans.
