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The Indie Filmmakers Edge

Finding Investors – Network, Network, Network!
excerpt from MAKE MONEY MAKING INDIE FILMS: An Independent Filmmaker's Guide to Obtaining Worldwide Distribution and Raising Private Capital by Michael Valverde

It seems every time I speak to filmmakers about film financing and distribution, several people rush me afterwards to ask the million-dollar question – "Where do I find these investors?" – as if I have a Palm Pilot full of names I am selling. The unfortunate reality is that no one does - not even the hotshot brokers who claim to.

Finding investors is about networking. While you may only know a few people who have the financial wherewithal to pull out their checkbooks and write a check with lots of zeros, there are people you know who know other potential investors. It's time to open your old Rolodex and scan your personal database for leads. Be sure to call your attorney and your friends who are attorneys and get them to provide you with some additional contacts. If you don't have a broker, call your friends', parents', grandparents', and uncles' brokers and pick their brains at length. Call your banker too, and everyone you know in the world of finance (CFOs, Accountants, Financial Planners, etc.). Tell your dentist and other physicians, and have them tell their friends!

Make a list of names and categorize them into direct and indirect leads. The direct list should consist of those people whom you know personally and believe have the ability to invest themselves. The indirect list should consist of the investors you've heard or read about in your community whom you would also like to approach. Next to the names on your indirect list, write the names of people you know who might be able to help you get in touch with each of them -- then start tracking down those digits.

Approaching Investors
Before you approach, call, or write anyone, prepare a concise statement on paper. Your goal is to entice them to attend a meeting where you will outline the "investment opportunity." I like to use lines like, "I would like to share with you a unique investment opportunity in the entertainment industry." You can tailor your pitch to your personality and to that of the potential investor, but be clear that you want them to consider investing. If they give you an immediate negative response, ask them to please attend anyway as a favor to you. Tell them you would like them to evaluate the presentation and give you some feedback. Then ask them if they know anyone else they believe would be in a position to consider such an investment.

Upon initial approach, a lot of investors will ask you to provide them with more data. They may request an "Investment Summary" or "Executive Summary," which is essentially an abbreviated version of your investment proposal (see the sample business plan included for a reference). If you can get them to agree to attend the meeting without this data, it is much better, but send it if they are insistent.

Investor Presentation Meetings
Book a conference room at the local hotel or ask a friend to let you her company's conference room after hours. Having several investors in the same room sitting around a table creates some powerful dynamics. I suggest a minimum of three and a maximum of eight investors per meeting. I also suggest having someone act as a "plant" to help encourage participation. I don't mean have people who fake wanting to invest. I mean have them ask intelligent questions to help create an open atmosphere. Investors are traditionally highly competitive ego-driven people, and if one steps up and shows interest the others will typically seek to compete. This is the ideal situation in which to present your opportunity. If your presentation skills are limited, be sure to get some help from your management and/or advisory team (to read about how to form a management team for your film, see Chapter Six of Michael Valverde's book). If you are the executive producer or producer, you should at least open the meeting, give a general statement about the company, and introduce the people who will present the investment offering. Try not to have more people from the company than potential investors. Have a contingency plan in case someone doesn't show. In this case, one of your team members might leave and another pick up that part of the presentation. Having a strong accounting/money-type in attendance is critical to answer the return-on-investment (ROI) questions.

Start the meeting by thanking everyone for coming. Then let everyone briefly introduce him or herself. Be sure to ask your team members to share their excitement about becoming involved with this project. Once the introductions are over, make a clear statement about the intent of the meeting. You plan to present a unique investment opportunity in the exciting world of entertainment. You would ask that those present consider the opportunity and ask any questions that will help them reach a decision.

Go through your business plan from a cursory level -- do not read every word, hit the high points and keep asking if anyone has any questions or needs clarification. If someone asks a question and you or your team do not know the answer, it is okay to say, "I don't know." Do not make something up on the spot just to save face it will come back to bite you. Be sure to focus on the major selling points of your plan. If you have a great cast ready to commit, tout their credits and the returns of the films they've been in. If you have an award-winning writer or director, be sure talk him up. Also be clear on which market will afford the project the most opportunity, and don't forget to talk about the successes of the distribution partner you have chosen. Investors will also want to know the timeline on the payback scenario. Most films return the largest portion of their revenue between 6 and 12 months after they enter distribution, depending primarily upon the timing of international and domestic markets (AFM, Mifed, Cannes, MIPCOM, etc.). So if you expect your production schedule to be at least 6 months, the timeline for the return is between 12 and 18 months from the production start date. Be prepared to answer this question based on your proposed schedule.

The other thing investors will want to know is the upside and downside scenario for the venture. The upside should be presented as a conservative but attractive number. If you've done your homework (Marketing Feasibility Study) you should have a pretty solid idea of the best-case scenario; reiterate the numbers in your projections spreadsheet. Be prepared to state your expectations somewhere on the upper-middle range of the projections so the investors understand that you are being sound about the project's returns but feel confident it will be a success. On the downside, investors want to know that at the very least you have constructed the opportunity to provide them tax relief in the event the venture fails. Consult your attorney and accountant about establishing corporate status for your LLC and about classifying the units in the LLC as 1244 stock; they can explain the specific tax implications. Also ask your accountant about the implications of loss pass-through on all expenses classified as non-production (LLCs allow you to assign profit and loss in some interesting ways). If you pass these losses through to your investor in the first year (before your film even hits the market), your investor will receive some tax benefit out front, which will increase their overall return; a nice gesture appreciated by savvy investors. Your goal is to provide your investors the greatest upside, while being sure not to neglect the downside realities of a high-risk investment. Of course, always consult the professionals on your team to keep it legal and as simple as possible.

A word about accountants and attorneys
Many professional service folks do not think outside the proverbial box at all. If you do not ask the right questions, oftentimes they will not make any suggestions. Be sure to seek out those individuals open to some innovative thinking. Don't be afraid to challenge the standard notions and look for ways to use the system to the advantage of yourself and your investors.

Let's review and learn:

1. Make a list of potential investors, calling on all available sources.

2. Prepare a solid but brief statement regarding the investment opportunity.

3. Set a date, book a room, and start inviting potential investors.

4. Be ready to open the meeting, but if you're not the best person to make the presentation, get someone on your team or Advisory Team to handle it.

5. Have the people who can answer the financial questions there and ready.

6. Try to answer all the key questions in the plan.

Filmmaker Michael Valverde wrote and directed the feature film LOSING GRACE (with Lesley Ann Warren, Ronny Cox, and Ryan Browning)

MAKE MONEY MAKING INDIE FILMS: An Independent Filmmaker's Guide to Obtaining Worldwide Distribution and Raising Private Capital demystifies the two most daunting issues for most indie filmmakers. This Guide, updated in 2004 using the FIRST HAND EXPERIENCES of a REAL INDIE FILMMAKER, will help you navigate the maze of indie film financing and distribution. Comes complete with a working business plan that you can employ today. http://greenvalleyent.com/SpecialOffer.html

Click here to view the Indie Film Edge archives.
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