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Erinem

Mastered at the SoundLAB recently, the single "You" from Erinem's EP, Y.B.A.L.A.. Check out the before/after sample below, to hear the difference between a mix, and a fully mastered track! Contact the experts at The SoundLAB to get started.

ORIGINAL TRACK

MASTERED TRACK

The SoundLAB at Disc Makers

Mastered at the SoundLAB recently, the single "No Way", by Soulution x Sosick feat. Meny Myndz. Check out the before/after sample below, to hear the difference between a mix, and a fully mastered track! Contact the experts at The SoundLAB to get started.

ORIGINAL TRACK

MASTERED TRACK

The SoundLAB at Disc Makers

A mastering session with The SoundLAB will help punch up your mixes and get them ready to compete sonically with any tracks your audience is streaming or downloading! Contact the experts at The SoundLAB to get started.

ORIGINAL TRACK

MASTERED TRACK

The SoundLAB at Disc Makers

Think your conference, audio book, or live performance recording is beyond help? Contact the experts at The SoundLAB who have the tools and experience to salvage some of the most challenged recordings!

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MASTERED TRACK

Wotts

“Air” by Wotts

Ottawa based hip-hop group Wotts have mastered several singles with The SoundLAB, including this track, “Air”. Check out the full version of “Air”, and other tracks from these unique artists on Spotify and Instagram!

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MASTERED TRACK

Backseat

“Backseat” by Leah Burkey

The mixes for Leah Burkey’s EP just needed some pop, sparkle, and volume before being released.

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MASTERED TRACK

Mastered by Paul Elliott in The SoundLAB’s Green mastering room, using Sontec and Avalon EQs, Focusrite Blue Range compressor, and monitored on B&W 802 Diamond series speakers.

Pop Removal

Pop Removal

Restoration work to remove surface noise and pops from a transfer of an older recording on vinyl.

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MASTERED TRACK

TOLA

“Connected” by The Other LA

The Other LA Producer/guitar player CJ Pierce (Drowning Pool) delivered a solid mix for their song “Connected”. The SoundLAB boosted the volume, worked to tighten the low end, and EQ’d for overall clarity and detail, as well as a nice pop to singer Aria’s vocals.

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MASTERED TRACK

Mastered by Brian Lipski in The SoundLAB’s Blue mastering room, featuring our GML9500 analog EQ, Focusrite compressor, and Weiss DS1 limiter.

For more info visit: https://www.tolarock.com, Facebook

The Morning Life

“Sunshine” by The Morning Life

Producer/Engineer Jack Miele, who also plays guitar in The Morning Life, sent The SoundLAB some great mixes to work with. A modest increase in volume, some air on the top end, and a little control on the bottom to open up space for the vocals was all this album needed! A separate version was also mastered to 1/4" tape for later release.

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MASTERED TRACK

Mastered by Brian Lipski in the Blue mastering room using our GML 9500 analog mastering EQ, and laid to 1/4" tape on our Ampex ATR-102!

For more info visit: https://www.facebook.com/morninglife

Dannie Marie

“Counting Down Summertime” by Dannie Marie

The SoundLAB looked to highlight Dannie Marie’s vocals, and give her mixes that competitive pop/country volume and sparkle. The original mixes were well balanced, but a bit flat, and needed that mastering magic to make them “pop”!

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MASTERED TRACK

Mastered by Alex Kerekesha, in The SoundLAB’s Green mastering room, using Sontec and Avalon EQs, Focusrite Blue Range compressor, and monitored on B&W 802 Diamond series speakers.

Getsemani

“Al Ritmo de Mi Corazon” by Getsemani

For the song, “Al Ritmo de Mi Corazon”, from Getsemani’s CD of the same name, The SoundLAB engineers focused on tightening up the low-end, which was a bit boomy in the mixes, bringing the vocals forward and adding a nice sparkle to the high-end to bring out all the details of the mix.

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MASTERED TRACK

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